Colleague in the next cubicle comes to work when I am about to leave for the day. I guess he is a consultant (shows how often we interact apart from the formalities) and has to interact with the counterparts elsewhere. I often hear him speaking to his little girl over the phone. Like a doting dad,” Hi honey, fine thank you, be a good girl, don’t trouble mama, I heard you have been wonderful, I’ll get you that, oh, did you do that? …” I don’t eavesdrop, at least consciously, but from the tone and the way the conversation goes, I can make out she is really cheerful at times and a bit moody at other times as if wishing him home. By the time, he reaches home, I am sure she will be fast asleep or ready for school and another day.
Another colleague says her spouse also works at night and they get to be with each other only over the weekend. They have two kids together and are put up in a posh apartment close by. She said it becomes tough at times to handle the kids.
Work has been pouring with hailstones. I don’t know when was the last time I saw the sun set on a working day. Yet, there are colleagues in other buildings and departments complaining that I come later and leave earlier, which is 8 pm. Lifestyles seem to be changing. Like we always say, times are a changing.
All of us are ambitious and end up in compromising many things. The definition of ‘basic necessity’ seems to have changed- the T.V, the bigger T.V, the flat T.V. It is not like we don’t know. Now, ‘luxury’ is going home at 5.00 pm.
Thinking back, I am amazed that J and me had gone to watch ‘Hum Tum’ in a Cinema hall, which was not so near and came back at midnight in an auto. Once, we had also come back walking from Brigades after 10, eating chicken kebabs. We really thought it was fun then. Now, I avoid going out at nights.
Update: A 30 ml Pepper Spray costs 500 bucks.
The night looms large and under its cover, souls stir, contrive and conspire...then comes ARUNIMA-the glow of dawn
Friday, July 28, 2006
Friday, July 21, 2006
P of the C (ii)- Back with another review because some of you said, the last review was boring.
For all I said in my last review, I just got three feedbacks and out of which, one said that it was boring. So, to take revenge, I am back with another review. Actually, I had thought of two but I’ll leave it for the next post. There are some goodness left in this world, in me specially.
I am trying to recollect with whom did I watch the first part ? Umm. Never mind.
I remember walking in when the movie had already started and wondering where I had seen Keira Knightley before. I remembered ‘Bend it like Beckham’ and only then, I started enjoying the movie. Thankfully, it was not in the climax.
In the sequel, Johnny Depp is gleefully over the top. There are characters worming their way in and out of dizzying plot complications. I was caught up in a fictive dream for the entire length of the movie. The shifting agendas and propelling motivations of the characters collide in a fantastic explosion. Some of the action sequences were brazenly preposterous fun, really creative and flourishes in all aspects of movie making.
Removed two paras as I myself slept off, the second time I read it.
I am trying to recollect with whom did I watch the first part ? Umm. Never mind.
I remember walking in when the movie had already started and wondering where I had seen Keira Knightley before. I remembered ‘Bend it like Beckham’ and only then, I started enjoying the movie. Thankfully, it was not in the climax.
In the sequel, Johnny Depp is gleefully over the top. There are characters worming their way in and out of dizzying plot complications. I was caught up in a fictive dream for the entire length of the movie. The shifting agendas and propelling motivations of the characters collide in a fantastic explosion. Some of the action sequences were brazenly preposterous fun, really creative and flourishes in all aspects of movie making.
Removed two paras as I myself slept off, the second time I read it.
Tuesday, July 18, 2006
Corporate, the let down.
Watched Corporate and it was let down for the simple reason that I did not get what I was expecting. I had expected Bipasha Basu to do some boardroom stunts like Helen Hunt in What Women Want (even though they are two entirely different movies), calling the shots and fighting her way out. The way Helen Hunt presented herself in the boardroom is often cited at Corporate trainings for impactful openings and closings.
What I got is a lady whose every move is driven by her devotion for a man whom she has been dating and mating. Jelled hair, neat suits and a deadpan expression is all I get from her. She wears pants and smiles at Kay Kay that's all. The only thing I liked from her was this dialogue: “Dimaag uppar hota hain niche nahin.”
I liked Kay Kay and Lilette Dubey in the movie. The story revolves around two corporate giants in a tug of war and their unflinching determination to outdo each other leaving no room for moral codes or ethics. In all these, she becomes the pawn, which according to me has got nothing to do with her gender.
Madhur Bhandarkar tries to take the road not taken once more with this movie but too much of grey shades make it unpalatable. In the past, I have worked for an organization that dealt with a lot of Government Projects and there were talks (I said talks) of instances where certain people had to be bribed for certain projects or while bidding. Even then, I feel Bhandarkar has been too harsh.
Like Page 3, there are some nice dialogues between drivers. (Or were they admin staff?)
What I got is a lady whose every move is driven by her devotion for a man whom she has been dating and mating. Jelled hair, neat suits and a deadpan expression is all I get from her. She wears pants and smiles at Kay Kay that's all. The only thing I liked from her was this dialogue: “Dimaag uppar hota hain niche nahin.”
I liked Kay Kay and Lilette Dubey in the movie. The story revolves around two corporate giants in a tug of war and their unflinching determination to outdo each other leaving no room for moral codes or ethics. In all these, she becomes the pawn, which according to me has got nothing to do with her gender.
Madhur Bhandarkar tries to take the road not taken once more with this movie but too much of grey shades make it unpalatable. In the past, I have worked for an organization that dealt with a lot of Government Projects and there were talks (I said talks) of instances where certain people had to be bribed for certain projects or while bidding. Even then, I feel Bhandarkar has been too harsh.
Like Page 3, there are some nice dialogues between drivers. (Or were they admin staff?)
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